Film Project Development Workshop (COM433)
| Course Code | Course Name | Semester | Theory | Practice | Lab | Credit | ECTS |
|---|---|---|---|---|---|---|---|
| COM433 | Film Project Development Workshop | 7 | 2 | 0 | 0 | 2 | 3 |
| Prerequisites | |
| Admission Requirements |
| Language of Instruction | Turkish |
| Course Type | Elective |
| Course Level | Bachelor Degree |
| Course Instructor(s) | Ece VİTRİNEL evitrinel@gsu.edu.tr (Email) |
| Assistant | |
| Objective | Aim of this course is to give basic information and examples about development of different kinds of film projects and on the base of this information to make practice for developing a project, presenting it, preparing a budget and searching for resources. |
| Content |
Week 1. Types of film project Week 2. Description and budgeting criteria. Week 3. Goals and strategic planning Week 4. Presentation and budgeting examples Week 5. Features of a producer and communication Week 6. Features of co-productions Week 7. Searching for support: national public support Week 8. T.C. Cultural Ministry submissions: case studies Week 9. T.C. Cultural Ministry submissions: practice Week 10. Searching for support: regional public support Week 11. Eurimages submissions: case studies Week 12. Eurimages submissions: practice Week 13. Other public support: foreign, regional, multinational support opportunities Week 14. Private sector support: examples such as sponsorship, television pre-emption etc… |
| Course Learning Outcomes |
- know the models of film project development. - set goals in this field and do strategic planning. - know how to find a producer and co-producer and conditions of submission to different channels on a national or international basis. - develop a film project, attempt to search resources, producer, support etc... |
| Teaching and Learning Methods | Participative conference |
| References |
CNC , Coll.Dixit, Eyrolles, Paris, 2006 Robert Edgar HUNT, Réalisation de films, Pyramyd, Paris, 2008 Jane BARNWELL, Les fondamentaux de la réalisation de films, Pyramyd, Paris, 2010 Elliott GRAVE, 130 exercices pour réussir son premier film, Eyrolles, Paris, 2010 J.-P. FOUGEA,- P.ROGARD, Les aides au financement, Dixit, Paris, 2009 Olivier AMIEL, Le financement public du cinéma dans l’Union Européenne, LGDJ, 2008 Ph.LAURIER, Producteur du cinéma : un métier, Chiron, 2005 |
Theory Topics
| Week | Weekly Contents |
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Practice Topics
| Week | Weekly Contents |
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Contribution to Overall Grade
| Number | Contribution | |
|---|---|---|
| Toplam | 0 | 0 |
In-Term Studies
| Number | Contribution | |
|---|---|---|
| Toplam | 0 | 0 |
| No | Program Learning Outcomes | Contribution | ||||
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | ||
| Activities | Number | Period | Total Workload |
|---|---|---|---|
| Total Workload | 0 | ||
| Total Workload / 25 | 0,00 | ||
| Credits ECTS | 0 | ||