This course examines digital culture from the perspectives of anthropology and symbolic interactionism, focusing on contemporary communication strategies, advertising, and branding processes. It explores how digital technologies transform social relationships, cultural practices, identities, and consumption patterns, while examining the implications of these transformations for brand communication, advertising narratives, consumer engagement, and digital marketing strategies. Culture is approached as a dynamic process through which individuals and communities produce, share, and renegotiate meanings through social interaction. The course investigates how symbols, narratives, identities, and forms of belonging emerge through social media, digital communities, platform cultures, and everyday digital practices. Drawing on digital ethnography and sensory ethnography, it explores the relationships between online and offline experiences. The course aims to equip students with the ability to critically examine digital cultural contexts from an anthropological perspective and apply their insights to the development of advertising, brand management, and communication strategies.
The course covers culture and symbolic interaction, everyday life and meaning-making, self-presentation and digital identity, online communities and belonging, digital rituals, social media practices, platform cultures, digital spaces and social interaction, digital audiovisual practices, sensory experience and the digital body, and the relationships between online and offline cultural practices. From an anthropological perspective, students examine how digital environments transform cultural contexts and how symbols, images, sounds, narratives, and forms of interaction acquire meaning in everyday life.
As part of the practical component, students investigate specific digital communities, platforms, forms of interaction, and cultural practices using digital ethnographic and sensory research methods. Through ethnographic observation, digital participant observation, audiovisual documentation, digital diaries, and the analysis of online cultural content, students explore different dimensions of digital culture. The findings are then evaluated in relation to communication strategies, brand culture, advertising practices, and consumer relationships.
By the end of this course, students will be able to:
Define culture through anthropological and symbolic interactionist approaches.
Explain how symbols, meanings, and identities emerge through everyday interactions.
Analyze digital environments as contexts in which cultural practices and social relationships take place.
Examine digital identity, self-presentation, belonging, and online communities from an anthropological perspective.
Apply the fundamental principles of digital ethnography and sensory ethnography.
Investigate the relationships between online and offline cultural practices.
Interpret ethnographic research findings in relation to communication strategies, advertising practices, and brand culture.
The course employs lectures, discussions of ethnographic texts and case studies, digital participant observation, analysis of online cultural practices, sensory ethnography exercises, audiovisual documentation and analysis, digital diaries, fieldwork, and individual or group-based research projects.
Blumer, H. (1969). Symbolic Interactionism: Perspective and Method. University of California Press.
Goffman, E. (1959). The Presentation of Self in Everyday Life. Doubleday.
Hine, C. (2015). Ethnography for the Internet: Embedded, Embodied and Everyday. Bloomsbury Academic.
Pink, S. (2015). Doing Sensory Ethnography (2nd ed.). SAGE.
Pink, S., Horst, H., Postill, J., Hjorth, L., Lewis, T., & Tacchi, J. (2016). Digital Ethnography: Principles and Practice. SAGE.
| Week | Weekly Contents |
|---|---|
| 1 | Introduction to Culture and Digital Culture: Anthropological Perspectives and Digital Transformation |
| 2 | Symbolic Interactionism: Everyday Life, Symbols, and Meaning-Making |
| 3 | Digital Everyday Life: Interaction, Practices, and Cultural Contexts |
| 4 | Performance, Representation, and Online Identities |
| 5 | Digital Communities and Belonging |
| 6 | Digital Rituals and Cultural Practices |
| 7 | Spaces and Social Interaction: Platforms, Encounters, and Digital Spatiality |
| 8 | Images, Sounds, Narratives, and Cultural Circulation |
| 9 | Online Presence, Embodiment, and the Senses |
| 10 | Theoretical Approaches, Research Design, and Fieldwork |
| 11 | Observation, Audiovisual Documentation, and Experience Mapping |
| 12 | Brand Communities, Consumption Practices, and Cultural Contexts |
| 13 | Digital Ethnography Workshop |
| 14 | Digital Ethnography Workshop |
| Activities | Number | Contribution |
|---|---|---|
| Contribution of in-term studies to overall grade | 6 | 50 |
| Contribution of final exam to overall grade | 1 | 50 |
| Total | 7 | 100 |
| Activities | Number | Contribution |
|---|---|---|
| Assignments | 6 | 50 |
| Presentation | 0 | 0 |
| Midterm Examinations (including preparation) | 0 | 0 |
| Project | 1 | 50 |
| Laboratory | 0 | 0 |
| Other Applications | 0 | 0 |
| Quiz | 0 | 0 |
| Term Paper/ Project | 0 | 0 |
| Portfolio Study | 0 | 0 |
| Reports | 0 | 0 |
| Learning Diary | 0 | 0 |
| Thesis/ Project | 0 | 0 |
| Seminar | 0 | 0 |
| Other | 0 | 0 |
| Make-up | 0 | 0 |
| Total | 7 | 100 |
| No | Program Learning Outcomes | Contribution | ||||
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | ||
| 1 | He/she acquires the knowledge and skills necessary to produce and manage effective communication strategies in digital platforms. | X | ||||
| 2 | He/she knows and interprets theoretical approaches concerning the main dynamics of the information society. | X | ||||
| 3 | He/she interprets, evaluates and analyses the data using high level theoretical and practical knowledge and skills in the field of public relations and advertising and he/she proposes solutions. | X | ||||
| 4 | He/she knows the developments and innovations in the fields of communication and information technologies and he/she interprets them through a critical approach. | X | ||||
| 5 | He/she knows and uses research, assessment and presentation techniques in the social sciences. | X | ||||
| Activities | Number | Period | Total Workload |
|---|---|---|---|
| Class Hours | 14 | 3 | 42 |
| Working Hours out of Class | 14 | 3 | 42 |
| Assignments | 6 | 10 | 60 |
| Presentation | 0 | 0 | 0 |
| Midterm Examinations (including preparation) | 0 | 0 | 0 |
| Project | 1 | 10 | 10 |
| Laboratory | 0 | 0 | 0 |
| Other Applications | 0 | 0 | 0 |
| Final Examinations (including preparation) | 0 | 0 | 0 |
| Quiz | 0 | 0 | 0 |
| Term Paper/ Project | 0 | 0 | 0 |
| Portfolio Study | 0 | 0 | 0 |
| Reports | 0 | 0 | 0 |
| Learning Diary | 0 | 0 | 0 |
| Thesis/ Project | 0 | 0 | 0 |
| Seminar | 0 | 0 | 0 |
| Other | 0 | 0 | 0 |
| Make-up | 0 | 0 | 0 |
| Yıl Sonu | 0 | 0 | 0 |
| Hazırlık Yıl Sonu | 0 | 0 | 0 |
| Hazırlık Bütünleme | 0 | 0 | 0 |
| Total Workload | 154 | ||
| Total Workload / 25 | 6.16 | ||
| Credits ECTS | 6 | ||